Day: December 26, 2019

“For Christmas is tradition time—
Traditions that recall
The precious memories down the years,
The sameness of them all.”
Helen Lowrie Marshall

With the Christmas bells still ringing on, the festive feeling still runs on. With all the family gathered at the homestead yesterday, the laughter, food and music were in the air. To pass the time before the dinner, the carol game of recall and forfeit was played (more of a family Christmas tradition) among the teens and the adults in the group.

Interestingly, one of the most popular Christmas carols, “The Twelve of Christmas” was believed to have originated as a children’s memory and forfeit game. As per the song, the twelve days start with Christmas Day or the day after Christmas (Boxing Day or St. Stephen’s Day, the feast day of St. Stephen Protomartyr) to the day before Epiphany or the Feast of the Epiphany (6 January, the Twelfth Day). The eve of the Epiphany is formerly the last day of the Christmas festivities and observed as a time of merrymaking”. Epiphany formerly celebrates the revelation of the God prophesy of Christ. Historical evidence and records point to the North of England, specifically the area around Newcastle upon Tyne, as the origin of the carol somewhere around the early 18th century (approx.1714) onward.

“This piece is found on broadsides printed at Newcastle at various periods during the last hundred and fifty years. On one of these sheets, nearly a century old, it is entitled “An Old English Carol,” but it can scarcely be said to fall within that description of composition, being rather fitted for use in playing the game of “Forfeits,” to which purpose it was commonly applied in the metropolis upwards of forty years since. The practice was for one person in the company to recite the first three lines; a second, the four following; and so on; the person who failed in repeating her portion correctly being subjected to some trifling forfeit.”
Husk, 1864 ( Cecil J. Sharp, A. G. Gilchrist and Lucy E. Broadwood, “Forfeit Songs; Cumulative Songs; Songs of Marvels and of Magical Animals,” Journal of the Folk-Song Society, Vol. 5, No. 20 (November 1916), p. 280.)

Another reference to the popular Christmas carol can be traced as a Christmastime game played before supper. As written by Lady Gomme (1898), “The Twelve Days” was a Christmas game. It was a customary thing in a friend’s house to play “The Twelve Days,” or “My Lady’s Lap Dog,” every Twelfth Day night. The party was usually a mixed gathering of juveniles and adults, mostly relatives, and before supper — that is, before eating mince pies and twelfth cake — this game and the cushion dance were played, and the forfeits consequent upon them always cried. The company were all seated round the room. The leader of the game commenced by saying the first line. […] The lines for the “first day” of Christmas was said by each of the company in turn ; then the first “day” was repeated, with the addition of the “second” by the leader, and then this was said all round the circle in turn. This was continued until the lines for the “twelve days” were said by every player. For every mistake a forfeit — a small article belonging to the person — had to be given up. These forfeits were afterwards “cried” in the usual way, and were not returned to the owner until they had been redeemed by the penalty inflicted being performed.”

As this song evolved as an English Christmas carol as a catechism song for young Catholics, along with the surface meaning, each element in the carol has a link to the Christian faith (although this aspect is highly debatable). As children sang these songs, they could remember the background and principles behind the Christian teachings. Starting with the “True Love” one hears in the song is referenced to baby Christ because truly Love was born on Christmas Day. The partridge in the pear tree also represents Him because that bird is willing to sacrifice its life if necessary to protect its young by feigning injury to draw away predators. The two turtle doves signify the Old and New Testaments while the three French hens stood for faith, hope, and love. As the four calling birds were the four gospels of Matthew, Mark, Luke, and John; the five golden rings represent the first five books of the Old Testament, which describe man’s fall into sin and the great love of God in sending a Savior.

For the words “six geese a-laying” signify the six days of creation. The “Seven swans a-swimming” represented the seven fold gifts of the Holy Spirit—–Prophesy, Serving, Teaching, Exhortation, Contribution, Leadership, and Mercy while the eight maids a-milking were the eight beatitudes. The “Nine ladies dancing” were the remaining nine fruits of the Holy Spirit which are charity, joy, peace, patience (forebearance), goodness (kindness), mildness, fidelity, modesty and chastity. As remaining of “ten lords a-leaping”, “eleven pipers piping” and the “twelve drummers drumming” symbolize the Ten Commandments, eleven faithful Apostles and the twelve points of belief in The Apostles’ Creed respectively. Although this interpretation is highly debatable, it highlights the fact that there is always a meaning behind each word. 

All in all, these few carols when sung in full swing or even played as a Christmas time game, bring all of us closer in the spirit of love, joy and kindness. For the real Christian faith goes beyond the surface, carrying His Teachings and the principles that guide us through the good times as well as the tough days.

The Twelve Days of Christmas

[Verse 1]
On the first day of Christmas my true love sent to me
A partridge in a pear tree

[Verse 2]
On the second day of Christmas my true love sent to me
Two turtle doves, and
A partridge in a pear tree ………

[Verse 12]
On the 12th day of Christmas my true love sent to me
12 drummers drumming
11 pipers piping
10 lords a-leaping
Nine ladies dancing
Eight maids a-milking
Seven swans a-swimming
Six geese a-laying
Five golden rings
Four calling birds
Three french hens
Two turtle doves, and
A partridge in a pear tree

Note: “The Twelve Days of Christmas” known today was the arrangement as popularized by Frederic Austin (1909). Original source for the history behind the song : Fr. Calvin Goodwin, FSSP, Nebraska